Estonian National Ballet’s new Artistic Director, Linnar Looris, is holding auditions for Corps de Ballet, Soloist, and Principal Dancer ranks for the 20/21 season. Where: Estonian National Ballet, Tallinn, Estonia When: November Deadline for applications: …
On September 4 and 15, choreographer and ballet dancer Eve Mutso will perform the lead role in the ballet “Streetcar Named Desire”. The role of Blanche DuBois in the ballet, which premiered at the Scottish …
Estonian National Opera’s new, 2017/2018 season
Estonian National Opera will start the 2017/2018 season on 8 September with the performance of “Giselle”. Rasmus Puur’s brand new opera “The Colours of Clouds” based on Jaan Kruusvall’s play of the same name will premiere in September as the first new production. The opera raises the question of who Estonia’s freedom was restored for when everyone yearns to go abroad even now. As the autumn season’s main ballet event, the Estonian National Ballet will bring to the viewers Nancy Meckler, Annabelle Lopez Ochoa and Peter Salem’s ballet “A Streetcar Named Desire” based on Tennessee Williams’ play of the same name. The leading role was made famous in 2012 in the Scottish Ballet by an Estonian ballerina Eve Mutso. From 17 to 26 November, the Estonian National Opera will be giving guest performances in Tampere-talo, Helsinki Aleksanterin Theatre and Helsinki Musiikkitalo as part of the festival “Estonia and Finland 200”. The important events of the two republics lead to joint activities on both sides of the bay. Estonia will be showing Delibes’ ballet “Coppélia”, Vinter and Raudmäe’s musical “Pippi Longstocking”, Tubin’s ballet “The Goblin”, Verdi’s opera “La traviata”, Puur’s opera “The Colours of Clouds”, as well as organising concerts for babies and several fascinating educational projects. On 14 December, the Estonian National Opera Boys’ Choir will bring on stage in the chamber hall exciting stories about the choirboys’ adventures. Andres Lemba’s musical performance “Chestnuts From the Fire or The Tales of the National Opera Boys’ Choir” will only be given on three days this year. Furthermore, in December, you can once again enjoy Raggie’s adorable adventures in the children’s play “Raggie and Old-Timey Things” (“Sipsik ja vana aja asjad”) and in January, experience the seductive vibrations of jazz rhythms in “Jazz-Ballet Club”. The holiday period also offers the traditional Christmas concert “Estonian National Opera Christmas Concert” at the St. John’s Church in Tallinn on 21 December and the New Year’s Eve Ball, celebrating its 25th anniversary is carried by ethnic motives.
The New Year begins with a co-produced play meant to rattle the historic memory of Estonians – “The History of Estonia. A Nation Born of Shock” (“Eesti ajalugu. Ehmatusest sündinud rahvas”), a gift from the Estonian National Opera in collaboration with the Kanuti Gild’s SAAL given to the Republic of Estonia on the occasion of its birthday. The opera, based on accidentally discovered fragments of Manfred MIM’s music, premiers on 19 January in the Estonian National Opera. The concert of Estonian music “Happy Birthday, Estonia!” taking place on 3 February in the concert hall of the opera house is the precursor for the “Estonian Theatre in the Estonian National Opera” festival, which will be taking place from 10 to 20 February and bringing to the stage a selection of music by Estonian composers. The festival culminates on 15 February with the concert production “Estonian Celebration”, which involves the entire theatre building. Lembitu, Saare Juhan, Olav, Erna, Cyrano, the Goblin and many other important and unique characters from Estonian cultural history will be meeting on the stage. During the Republic’s birthday month, we will be visited by our neighbours from the Latvian National Opera, bringing us Leo Mujic’s ballet “Scheherazade” to the music of Rimski-Korsakov and Kodály (27 February), an Opera and Ballet Gala (28 February), and Verdi’s opera “Nabucco” (1 March).
A new original ballet “Catherine I” will grace the stages on 15 March as the spring season’s main ballet event. It tells the tale of the incredible romance between a simple Estonian girl and the charismatic Russian emperor Peter I through Toomas Edur and Tauno Aints’ colourful fantasies. On 29 April, Estonian National Opera will be celebrating the 100th anniversary of Estonian ballet with an International Dance Day ballet gala. On 26 May, jolly characters come to life and Olav Ehala’s beloved songs can be heard on the stage of the National Opera in the musical “Buratino”.
The 112th season will be closed by guest performances by the Lithuanian National Opera from 5 to 7 June.
This season, the travel bug will carry Estonia further than ever before: performing Tubin’s ballet “Goblin” (“Kratt”), Händel’s opera “Rinaldo”, and an opera gala at the St. Petersburg’s Mariinsky Theatre on 23–25 October; the Latvian National Opera will hold performances of Tubin’s ballet “The Goblin” from 27 February to 1 March, an Opera and Ballet Gala, as well as Hindemith’s opera “Cardillac” and the Lithuanian National Opera stages will see Tubin’s ballet “The Goblin”, Gounoud’s opera “Faust”, and Ochoa/Meckler/Salem’s ballet “A Streetcar Named Desire” from 15 to 17 May.
On 4-6 June performances by St. Petersburg Chamber Opera
On 4-6 June, St. Peterburg Chamber Opera will give performances at the Estonian National Opera. The theatre will present “Die Fledermaus”, “The Pearl Fishers” and “Rigoletto”. The conductors will be Maksim Valkov and Aleksandr Goihman. In the roles will be seen Vsevolod Kalmõkov, Sofia Nekrasova, Karolina Šapovalova, Vladislav Mazankin, Denis Ahmetšin, Leonti Saljenski, Jadgar Juldašev, Viktor Aleškov, Juri Boršjov, Dmitri Grigorjev, Nikolai Mihalski, Anton Morozov, Efim Rastorgujev, Denis Zakirov, Jevgenia Kravtšenko, Aleksei Pašijev, Sergei Alešenko, Kirill Žarovin, Natalja Vorobjova, Viktoria Martemjanova, Jadgar Juldašev, Anna Altuhova etc.
The St. Petersburg Chamber Opera was founded by director Yuri Alexandrov in 1987, when the audience needed new creative ideas. Despite all the difficulties of the perestroika period, the theatre, which was intended to be an art laboratory, immediately took a prominent place in the Petersburg theatre sphere, winning the reputation of “the living opera” and “a searching theatre.”
The theater was formed as a single artistic entity with a unique repertoire. It covers a wide range of different music genres created in different countries over the centuries. With time, the Chamber Theatre grew into The Petersburg Chamber Opera, a professional state theatre well-known both in Russia and abroad. In 1998, the theatre found its own venue at last. It was the mansion of Baron von Derviz (33, Galernaya Str.), a place closely linked to the history of St. Petersburg musical theatre. Yuri Alexandrov has been the artistic director of the theatre since its foundation.
Photo: „Rigoletto“ by St. Petersburg Chamber Opera